Zena Elliott

YEAR OF RESIDENCY
January - April 2026

Zena Elliott (Ngāti Awa, Te Whānau-ā-Apanui, Ngāti Rangitihi, Ngāi Te Rangi, and Te Arawa) is a Waikato-based interdisciplinary artist, researcher and educator whose practice spans painting, sculpture, whakairo, installation and speculative sonic kōwhaiwhai.

Their work explores themes of Māori identity and culture, gender fluidity, popular culture, Indigenous diaspora and futurism. Drawing on these diverse influences, they combine and reimagine motifs, icons, materials and colours to create a distinctive and recognisable visual language.

Zena recently won the prestigious National Contemporary Art Award at Te Whare Taonga o Waikato Museum & Gallery. They have exhibited in over 80 solo and group exhibitions, including Toi Tū Toi Ora: Contemporary Māori Art at Auckland Art Gallery Toi o Tāmaki and are featured in a range of national and international publications.

They hold a Master of Fine Arts, Bachelors of Whakairo, Adult Education and Media Arts (with post graduate honours) and Diplomas in Whakairo and Adult Education.

Artist Artworks

1.

Zena Elliott
2025
acrylic on laminated carved board
400 x 390 x 100mm
$15,000
Photo: Sam Hartnett

Contact us to purchase this edition.

This carved being sits in the space where te taiao and urban structure meet, push against each other, and become tangled. It carries that tension without belonging fully to one side or the other. Its form comes through layers of paint, sci-fi Māori inspired carved languages, and the patterning of rauponga, alongside the marks, cuts, and structures found in both nature and built space. This work also speaks to the local residents of Parehuia, who move through the night and bring tohu.

2.

Zena Elliott
Rāhui
2026
acrylic on board
1200 x 1000mm
Collection of McCahon House Trust
Photo: Sam Hartnett

This work comes from thinking about restrictions, tapu/noa, movement, pressure, and the way te taiao keeps pushing back against built space. In the paintings and the carving, I’m looking at the relationship between natural and constructed worlds as something that is always shifting, never fixed. For me, the built environment is not separate from the living world, but caught within it, shaped by tension, change, and growth. Through this work, Māori and Indigenous ways of knowing are still present, finding their way through and holding space.

UPCOMING
05.02.26
20th Anniversary