- Amy Howden-Chapman2014
- Ana Iti2020
- Andrew McLeod2007
- Andy Leleisi’uao2010
- Anoushka Akel2024
- Ava Seymour2009
- Ayesha Green2022
- Ben Cauchi2011
- Benjamin Work2024
- Bepen Bhana2016
- Campbell Patterson2015
- Cora-Allan Lafaiki Twiss2021
- Dan Arps2014
- Daniel Malone2014
- Emily Karaka2021
- Emma Fitts2018
- Eve Armstrong2009
- Fiona Pardington2013
- Gavin Hipkins2007
- George Watson2024
- Glen Hayward2011
- Imogen Taylor2017
- James Robinson2007
- Jess Johnson2019
- Jim Speers2010
- Judy Millar2006
- Kathy Barry2012
- Lisa Reihana2009
- Liyen Chong2012
- Louise Menzies2016
- Luise Fong2008
- Martin Basher2010
- Michael Stevenson2023
- Moniek Schrijer2021
- NELL2023
- Neke Moa2023
- Nicola Farquhar2018
- Oliver Perkins2017
- Owen Connors2023
- Regan Gentry2012
- Richard Frater2020
- Richard Lewer2008
- Rohan Wealleans2008
- Ruth Buchanan2013
- Sarah Smuts-Kennedy2016
- Sefton Rani2025
- Sorawit Songsataya2018
- Steve Carr2020
- Suji Park2015
- Tanu Gago2022
- Taro Shinoda2017
- Tiffany Singh2013
- Tim Wagg2019
- Wayne Youle2019
- Zac Langdon-Pole2022
Ruth Buchanan
YEAR OF RESIDENCY
January - March 2013
Buchanan’s work draws out the contested, dynamic relationship between the body, power, language and the archive—where it often begins. Inspired by works and practices of upheaval, Buchanan turns to case studies, artefacts, or works by other artists that reflect on this. These case studies act as departure points for an interrogation of art as a discourse of organising, narrating, and problematising the world in which we live. She develops site and material specific strategies that include performance, sculpture, text, spatial structures, audio, film, textiles, and graphics. The construction of the public moment is crucial and is viewed as strategically staging the parameters of encounter and the manifold power-structures that subsequently emerge. Rooted in legacies of feminism, institutional critique, and experimental writing her practice puts sets of standards into motion by re-formatting existing traditions of presentation and the functionality of systems of explanation.
During her residency Buchanan began ongoing research into a woven curtain produced by Ilse von Randow for Auckland Art Gallery in the late 1950s, at the time when McCahon was employed there. The research looks into how art history is constructed and the ways in which single institutions can hold a complex of multiple histories within them.
Artist Artworks
Ruth Buchanan
Sensitive Fingertips I
2013
digital print on Ilford Galerie Sm gloss 290gsm, edition of 3
300 x 430mm
$1,200 (unframed)
Contact us to purchase this edition.
Ruth Buchanan
Sensitive Fingertips II
2013
digital print on Ilford Galerie Sm gloss 290gsm, edition of 3
300 x 430mm
$1,200 (unframed)
Contact us to purchase this edition.
Ruth Buchanan, installation view, Lexicon of Infinite Movement, 2019, Kroeller-Mueller Museum
Ruth Buchanan, installation view, My I,I,I be broke, 2019, Hopkinson Mossman